An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Orrin Keepnews' commentary (from his new liner notes): "This, you might say, is an album of undiluted Monk. Like most generalizations, that wouldbe putting things a bit too simply, but the core of truth is there. For, with the deliberate exceptionof the final selection, this is literally Thelonious Himself—Monk, alone in the recording studio, offering highly personal versions of some standards and some of his own tunes.
Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. Recorded live at the Jazz Workshop in San Francisco, this hit album captures the bluesy alto saxophonist and his band (featuring brother Nat on cornet and Bobby Timmons on piano) during their triumphant four-week run. It not only wowed the city’s jazz aficionados but also introduced Russian classical composer Dmitri Shostakovich to his first dose of live jazz.
As any Monk aficionado knows, his solo piano performances were wonderful, idiosyncratic, living works of art that often wound up in completely different territory from where they began. Sometimes the results would be a little shakey; often they would be inspiring. Regardless, these solo performances were adventures, and that quality makes the double disc Monk Alone: The Complete Columbia Solo Studio Recordings, 1962-1968 irresistable.
Interesting dialogs between Monk and various greats among saxmen: Coltrane, Rollins, and Coleman Hawkins.
Although this is billed to Wes Montgomery, it is in fact a combination of two early-'60s LPs by the Montgomery Brothers – The Montgomery Brothers and The Montgomery Brothers in Canada – onto one disc. (Also note that it's almost entirely different from the Montgomery Brothers' Milestone double LP that also bears the name Groove Brothers, which mostly features material from their Riverside LP Groove Yard.) With Wes on guitar, Monk on bass, and Buddy on piano (Larance Marable fills out the quartet on drums), The Montgomery Brothers (1960) is a boppish set of five lengthy tracks, divided between both originals (penned by either Wes or Buddy) and standards. "June in January" is a particularly good vehicle for Wes' fluid single-note runs, while "D-Natural Blues" is one of his more enduring and good-natured compositions from the period. Buddy Montgomery, who often played the piano with the Montgomery Brothers, sticks exclusively to vibes on The Montgomery Brothers in Canada, which in addition to Wes and Monk has Paul Humphrey on drums.