Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Tribute album that focuses more on songs played by Parker, as opposed to focusing primarily on songs composed by Parker. Rein de Graaff - Pianist. Dutch self-taught pianist who's made himself one of Europe's best session players. De Graaff led a trio from 1959 to 1962, then joined The Jazzopters for a year. He then headed his own quartet until 1964, at the same time playing with Erwin Some and Gijs Hendriks. De Graaff formed a new group in 1964 that stayed together until the '80s.
In the current landscape of young French jazz, Pj5 offers one of the most pertinent musical propositions. This is a group in the full meaning of the term, whose identity comes above all from a sound: a certain capacity to densify the derivative sound of death metal, with the shapes of contemplative contemporary chamber music, the borders of minimalism and folk, fuelled with their personal contemporary jazz sensibility and improvisations. A laureate of the ‘Jazz Migration’ program for upcoming talents, composed of five French musicians from the same generation, Pj5 releases a third album displaying a band striving for purity and nuance, energy and intensity in order to accomplish a music capable of moving from epic accents to the simplicity of jingles, from electric storms to delicate sound patterns.
Discovering previously unheard music is a consistent hope for serious jazz fans. Finding unreleased music from legends, especially those who departed far too early with their legacies incomplete, is a true joy. Fans, scholars and collectors who want to have a complete overview on Charlie Parker’s work and career can now dig into a new collection of previously unreleased tracks.
For over two decades, the Hi-Hat Club occupied a choice location among the jazz clubs of Boston’s South End district, at the corner of Columbus and Massachusetts Avenue. After the end of World War II, lesser luminaries took over the band-stand, and after a while entertainment practically stopped altogether. Dave Coleman, a jazz promoter, had taken over management of the club in 1949. Through Coleman’s personal initiative, the Hi-Hat enjoyed its most successful years, and by 1951 it was the only club featuring a consistent policy of presenting modern jazz.
This screen adaptation of the Maurice Maeterlinck’s tale was the first Soviet-American co-production. The Blue Bird is an embodiment of happiness, both immediate and distant, that every person is sure to find if he recognizes it. The children of a woodcutter, Tiltil and Mitil, found themselves, while sleeping, in an amazing country, shown to them by Fairy Light. All domestic animals and foodstuffs come alive there and turn into real people. They helped the children fulfil the Fairy’s request – find the Blue Bird, although the bird proved to look different from what the brother and sister had seen in their dreams.