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Kelsen Hans

Hans Kelsen - L'amor platonico (1985)  eBooks & eLearning

Posted by edi1967 at April 30, 2019
Hans Kelsen - L'amor platonico (1985)

Hans Kelsen - L'amor platonico (1985)
Italiano | 1985 | 172 pages | ISBN: N/A | PDF | 5 MB

Il saggio di Hans Kelsen sull'amor platonico, comparso nel 1933 sulla rivista Imago, è l'ultimo documento tangibile dell'interesse che, per oltre un ventennio, aveva legato l'autore al movimento psicoanalitico viennese e, in particolare, a Sigmund Freud. Come la rivista che lo ospitò, questo testo è indicativo di un'apertura verso le scienze dello spirito, che la psicoanalisi volle attuare a partire dagli anni '10, onde interessare a se stessa gli studiosi di altre discipline e riceverne in cambio il riconoscimento della propria dignità di scienza. Kelsen fu tra coloro che, come B. Malinowski e H. Gomperz, accettarono questo invito, offrendoci con il suo contributo la testimonianza di un incontro e di un contatto culturale.
The Reconstruction of the Juridico-Political: Affinity and Divergence in Hans Kelsen and Max Weber

The Reconstruction of the Juridico-Political: Affinity and Divergence in Hans Kelsen and Max Weber By Ian Bryan, Peter Langford, John McGarry
2015 | 208 Pages | ISBN: 0415524822 | PDF | 5 MB

Hans Kelsen und die offene Gesellschaft  eBooks & eLearning

Posted by arundhati at April 4, 2017
Hans Kelsen und die offene Gesellschaft

Robert Chr. van Ooyen, "Hans Kelsen und die offene Gesellschaft"
2017 | Auflage: 2 | German | ISBN-10: 3658173068 | 300 pages | PDF | 2 MB

Kelsen Revisited: New Essays on the Pure Theory of Law  eBooks & eLearning

Posted by insetes at Sept. 6, 2018
Kelsen Revisited: New Essays on the Pure Theory of Law

Kelsen Revisited: New Essays on the Pure Theory of Law By Luis Duarte d’Almeida, John Gardner, Leslie Green (eds.)
2013 | 298 Pages | ISBN: 1849464561 | PDF | 3 MB
Essener Philharmoniker & Frank Beermann - Marschner: Hans Heiling, Op. 80 (Live) (2019)

Essener Philharmoniker & Frank Beermann - Marschner: Hans Heiling, Op. 80 (Live) (2019)
WEB FLAC (tracks) - 665 Mb | MP3 CBR 320 kbps - 323 Mb | Digital booklet | 02:19:48
Classical, Opera | Label: Oehms Classics

The link between Weber and Wagner, Marschner's Hans Heiling, was staged in the Aalto Music Theatre in February 2018. The production by Andreas Baesler received a mixed reaction, but the music was unanimously lauded by critics, above all the performance of Essen Philharmonic under the baton of Frank Beermann. The German Romantic opera in 3 acts is the composer's most successful opera, and brought the composer a considerable reputation. The story is based on a folk legend, and the opera's libretto was written by Eduard Devrient, who also sang the title role at the premiere at what is now the Berlin State Opera. In this production, Heiko Trinsinger performs the title role.
Hans-Ola Ericsson - Symphonic Organ Music, Vol.2: Respighi, Gounod, Bellini, Smetana, Elgar (2001)

Hans-Ola Ericsson - Symphonic Organ Music, Vol.2: Respighi, Gounod, Bellini, Smetana, Elgar (2001)
EAC | FLAC | Image (Cue & Log) ~ 240 Mb | Total time: 69:15 | Digital booklet
Classical | Label: BIS | # BIS-CD-1102 | Recorded: 1998

Hans-Ola Ericsson was born in Stockholm in 1958. He is a renowned organist with hundreds of recitals and concerts behind him, as well as an esteemed pedagogue at several institutions and a bold composer of contemporary music.
Known for his renditions of music as diverse as Olivier Messiaen and John Cage, his interpretory range stretches between György Ligety and the ubiquitous Johann Sebastian Bach as well as many more. Among the crown jewels of the repertoire is the collected works of Messiaen and a recently finished series of Bach in chamber and organ settings.
Hans-Ola Ericsson - Symphonic Organ Music, Vol.1: Sibelius, Dvořák, Glazunov (2001)

Hans-Ola Ericsson - Symphonic Organ Music, Vol.1: Sibelius, Dvořák, Glazunov (2001)
EAC | FLAC | Image (Cue & Log) ~ 303 Mb | Total time: 74:10 | Digital booklet
Classical | Label: BIS | # BIS-CD-1101 | Recorded: 1998

It may be news to many readers that these composers wrote organ music at all, and in the case of Dvorak he virtually didn't, for these are composition exercises from his student days which remained in the archives of Prague Conservatoire until they were found and edited by Jarmil Burghauser in 1980. Some of the world's most boring music has been written as before-service preludes and Dvorak's student exercises are more engaging than many a more professional job, but it would be unwise to read more into them than that. Occasionally Mr. Ericsson seems to be trying too hard, but generally he leaves their homely charm to speak for itself.
Bjørn Marius Hegge - Ideas for Axel Dörner, Rudi Mahall, Hans Hulbækmo and Håvard Wiik (2019)

Bjørn Marius Hegge - Ideas for Axel Dörner, Rudi Mahall, Hans Hulbækmo and Håvard Wiik (2019)
WEB FLAC (tracks) - 239 MB | Tracks: 8 | 42:50 min
Style: Jazz | Label: Particular Recordings Collective

Winner of the Norwegian grammy award (Spellemannsprisen) for best jazz record 2017 - is the up-and coming Norwegian composer and double bass player Bjørn Marius Hegge project, consisting of five of the finest jazz musicians in Scandinavia. They invite the audience into the melodical vibe that existed in the 1960s with catchy grooves, humourus phrasings mixed with strong compositions and playful improvisations. Even though the music is highly influenced by jazz legends such as Cannonball Adderley, Ornette Coleman and Charles Mingus, the band collectively drives their music into a different direction where each and every member are allowed to freely express themselves.
Modernism as Institution: On the Establishment of an Aesthetic and Historiographic Paradigm by Hans Hayden

Modernism as Institution: On the Establishment of an Aesthetic and Historiographic Paradigm by Hans Hayden
English | 2018 | ISBN: 9176350711 | 346 Pages | PDF | 6.74 MB

"Anyone who studies the history of modern art—in art museums, in the classroom, in art historical handbooks or specialist surveys—will soon be aware of a certain recurrent pattern governing the selection of objects and forming a certain type of narrative where the history of modern art is presented as a variety of different -isms that dissolve into each other in the coherent sequence that constitutes the history of modern art as modernism.
Hans Werner Henze - Magdeburg Philharmonic Orchestra - Complete Violin Concertos (2005, MDG "Scene" # 601 1442-2) [RE-UP]

Hans Werner Henze - Complete Violin Concertos
Torsten Janicke, violin / Magdeburg Philharmonic Orchestra / Christian Ehwald
2x CD | EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 134 MB | 5% Recovery Info
Label/Cat#: MDG "Scene" # 601 1442-2 | Country/Year: Germany 2005
Genre: Classical | Style: Contemporary

"Hans Werner Henze has written three violin concertos so far, separated in his output by gaps of 23 and 26 years. As you'd expect, they are very different pieces stylistically, and hearing them in succession provides a revealing map of the trajectory Henze's evolution has followed in his orchestral music. However, it's the two most widely separated works here that have the most similarities, suggesting how, in some important respects over the last half-century, he has come full circle. (…) The result is arguably one of the strongest of Henze's works from the 1970s; certainly that is how it seems in this very impressively controlled performance from Torsten Janicke and the Magdeburg Philharmonic." ~The Guardian