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Guillaume de Machault

Guillaume de Machaut (1300-1377) - Le Remede de Fortune - Ensemble Guillaume de Machaut de Paris (1977) {Ades 14.077-2}

Guillaume de Machaut (1300-1377) - Le Remède de Fortune - Ensemble Guillaume de Machaut de Paris (1977) {Ades 14.077-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 367 Mb | MP3 @320 -> 146 Mb
Full Artwork @ 300 dpi (png) -> 21 Mb | 5% repair rar
© 1977, 1985 Adès | 14.077-2
Classical / Medieval / Early Music

Medieval music is not my customary listening or studying turf, and I can't claim any cognoscento's insight. I'm a pure layman here, I don't know how "authentic" or musicologically satisfying those 1977 readings by Ensemble Guillaume de Machaut are, or how they compare interpretively with others. As for authenticity, other than giving the names of the instruments used, the credits and liner notes provide no information whatsoever about them. For instance, the instrument called "cromorne" is listed, but according to Wikipedia the cromorne was a 16th and 17th century instrument of the oboe family, which makes it two or three centuries too late for Machaut.

Guillaume De Chassy ‎- Traversées (2013)  Music

Posted by v3122 at Feb. 24, 2019
Guillaume De Chassy ‎- Traversées (2013)

Guillaume De Chassy ‎- Traversées (2013)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Bee Jazz, BEE 062 | ~ 179 or 122 Mb | Artwork(jpg) -> 47 Mb
Modern Creative, Classical

'Classical and jazz music are my two'musical lands that I ve been striding along the boundaries for a long time. The Concerto for piano in which the soloist improvises beside a symphony orchestra represents a decisive step in my career. This album is dedicated to the pianist Brigitte Engerer with whom I had the honour to collaborate with for 4 years and who remains a living source of inspiration and enthusiasm.' Guillaume de Chassy After 9 albums to his credit, Traversées is the first symphonic album of Guillaume de Chassy. Recorded in the mythical studio La Chaux-de-Fonds in Switzerland, it s composed of two parts…
Guillaume de Chassy & Daniel Yvinec - Songs from the Last Century (2009)

Guillaume de Chassy & Daniel Yvinec - Songs from the Last Century (2009)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Bee Jazz, BEE009 | ~ 255 or 199 Mb | Artwork(jpg) -> 33 Mb
Post-Bop, Vocal Jazz

~ Recorded at Sear Sound, New York on March 4-5, 2008 ~
Guillaume de Chassy & Laurent Naouri - Eisler, Prokofiev: Bridges (2015)

Guillaume de Chassy & Laurent Naouri - Eisler, Prokofiev: Bridges (2015)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Alpha Classics, ALPHA 210 | ~ 190 or 106 Mb | Artwork(png) -> 183 Mb
Modern Creative, Classical, Vocal

~ Recorded at the Abbaye de Noirlac, Cher, France on November 4-6, 2014 ~

Guillaume de Chassy - Silences (2012) {Bee Jazz}  Music

Posted by tiburon at May 23, 2019
Guillaume de Chassy - Silences (2012) {Bee Jazz}

Guillaume de Chassy - Silences (2012) {Bee Jazz}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 147MB + 5% Recovery
MP3 CBR 320 Kbps | 105MB + 5% Recovery
Genre: Jazz, Classical

Pianist Guillaume de Chassy insists that Silences is inspired by the example of clarinetist Jimmy Giuffre's late-1950s trio recordings. To be sure, like those records, this album is marked by intimacy and introspection, a strong clarinet sound and no drummer. But Silences, recorded at a French abbey, doesn't sound much like Giuffre's records—nor indeed, like much of jazz, at first blush. It's not at first clear just what this piano-clarinet-bass formation is up to. The helpfully titled "Birth of a Trio" provides clues. It shows just how much this music shares with jazz—improvisation, first of all; and empathy, the musicians listening closely to each other, as for example when de Chassy's piano sidles up to Thomas Savy's soaring clarinet.

Guillaume De Chassy - Faraway So Close (2008) {Bee Jazz}  Music

Posted by tiburon at Aug. 16, 2016
Guillaume De Chassy - Faraway So Close (2008) {Bee Jazz}

Guillaume De Chassy - Faraway So Close (2008) {Bee Jazz}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 342MB + 5% Recovery
MP3 CBR 320 Kbps | 222MB + 5% Recovery
Genre: Jazz, Post-Bop

Faraway So Close is a trio offering from pianist Guillaume de Chassy, whose previous recording, Piano Solo (Bee Jazz, 2007), was completely engrossing in its trenchant beauty. This album projects the same depth, sincerity and directness of communication as the former one, but in a trio setting. Music is mysterious in the manner in which its affects are felt. The piano, with its mechanical action, adds a further layer to the puzzle, as Jon Balke made clear on Book of Velocities (ECM, 2008). De Chassy's keyboard touch is remarkable for its liquid clarity and supports his seeming endless supply of ideas, both melodic and harmonic.
Graindelavoix, Björn Schmelzer - Guillaume de Machaut: Messe de Nostre Dame (2016)

Graindelavoix, Björn Schmelzer - Guillaume de Machaut: Messe de Nostre Dame (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 72:50 | 381 MB
Genre: Classical, Choral | Label: Glossa | Catalog: GCD P32110

Much-awaited has been the new recording of the Machaut Messe de Nostre Dame from Bjorn Schmelzer and Graindelavoix, one of Glossas long- standing artistic family members. Following on from the trio of discs devoted to music in the spirit of the medieval master draughtsman Villard de Honnecourt the Antwerp-based ensemble currently in residence at the Fondation Royaumont in France has now turned to the first-known composer of an integral mass cycle: Guillaume de Machaut, who was a canon at Reims Cathedral in the fourteenth century.
The Orlando Consort - Guillaume de Machaut: The Dart of Love (2015)

The Orlando Consort - Guillaume de Machaut: The Dart of Love (2015)
EAC | FLAC | Image (Cue&Log) ~ 251 Mb | Mp3 (CBR320) ~ 154 Mb | Scans included
Genre: Classical, Vocal | Label: Hyperion | # CDA68008 | Time: 01:04:57

This is the second recording of Machaut's music by the all-male Orlando Consort (countertenor on top), and their way with Machaut is excellent. They have a nice, light tone in the secular pieces that contrasts with the more severe Gothic Voices, and they convey the weighty, ceremonial quality of the big motets. Machaut goes far enough back that nobody can be sure of how it sounded (and the graphics for this all-vocal album show a painting including instruments), but if you like the unaccompanied approach, this will do as well as anything for putting the basic sound of Machaut in your head. And "basic," in the best way, describes this album in another respect as well: the booklet notes by Anne Stone (given in English and French) give the most complete, and more importantly most enthusiastic, introduction one could ask for in a few pages to Machaut's stylistic world.
Guillaume de Chassy & Christophe Marguet feat. Andy Sheppard - Letters to Marlene (2018)

Guillaume de Chassy & Christophe Marguet feat. Andy Sheppard - Letters to Marlene (2018)
WEB FLAC (Tracks) - 267 MB | Cover | MP3 CBR 320 kbps - 113 MB | 00:48:29
Jazz | Label: NoMadMusic

We owe it to William Shakespeare to have us together. It was in November 2013: inspired by the plays of the famous English playwright, we had conceived together a course mixing texts and music. Our trio found here the ferments of his poetic universe. Through the concerts, we found a sound identity and a way of dialogue that belonged to us, a balance between improvisation and writing where everyone proposes and listens simultaneously. After 3 years of existence and a record, our Shakespeare Songs were now well-honed. It was during a tour of the trio in Ireland, that Andy posed openly the question: "What comes next, guys? ".
Thomas Savy, Louis Rodde, Guillaume de Chassy, Karen Vourc’h - Schubert-Ellington (2019) [Official Digital Download 24/88]

Thomas Savy, Louis Rodde, Guillaume de Chassy, Karen Vourc’h - Schubert-Ellington (2019)
FLAC (tracks) 24-bit/88.2 kHz | Time - 43:43 minutes | 702 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

This autumn, intermingled melodies could be heard under the round arches of Noirlac Abbey, amongst which the strains of both Schubert’s “Trout” and Ellington’s famous “Take the ‘A’ Train” were recognisable. Karen Vourc’h, Thomas Savy, Louis Rodde and Guillaume de Chassy enjoyed navigating between the waters of the Lied and the Jazz Standard to produce this outstanding project connecting two geniuses of melody with intelligent arrangements and improvisational extravagance. And, as ever, hidden behind the old stones, a B Records microphone is there to let you share in this musical journey.